Michael Zapruder returns with
Dragon Chinese Cocktail Horoscope.
Scott Solter-produced debut arrives Oct.
28, 2008 on Sidecho Records!
"...beautiful folk-pop ballads..."
Pitchfork
"...vast and varied..." Magnet
"Every sound and word is
thoughtfully placed, every dynamic shift is carried out with precision,
every sentence (both verbal and musical) is phrased significantly...
Michael Zapruder is working firmly embedded in the auteurial model of
composition and arrangement, and he is a brilliant director." Said
the Gramophone
San Francisco-based Michael Zapruder will
return with his new album, Dragon Chinese Cocktail Horoscope,
on October 28th, 2008. The record will see release on
Zapruder's new label home, Sidecho
Records (home to Via Audio). Recorded with Scott Solter in two weeks of marathon
day-and-night sessions, it's another beautiful record of sinuous melodies
that straddles the line between classic songwriting and
experimentalism.
Dragon Chinese Cocktail Horoscope, the
new record by Michael Zapruder, is a record of contrasts and oddities that
moves with easy dreamlike logic from the everyday to the everynight,
presenting opposites without attempting to resolve them. In the process, it
offers a glimpse of wildness at the core of humanism.
Zapruder
and Scott Solter (Mountain Goats, Two Gallants, Pattern is Movement, John
Vanderslice) recorded and mixed the record in a two-week session at San
Francisco's Tiny Telephone Studio. Somewhere in that undertaking, like
fishermen dangling a net deep into the darkest waters of the Pacific, they
ensnared something loose, weird, old, formless, and potent.
Zapruder brought a two-part mission statement with him. First was the
idea of negative capability, the ability to be "in uncertainties,
mysteries, doubts, without any irritable reaching after fact and reason".
The second was a line from a poem by contemporary poet Joshua Beckman:
"This party is fucked without the karate chop of love."
With
these in mind, Zapruder set about making something that would reside
squarely where discontinuity and faith meet. Twenty-five songs went in and
eleven came out, the survivors supported by the contributions of Zapruder's
Rain of Frogs, a loose cadre of musicians and friends that now number in
the thirties, and which sometimes includes members of the Decemberists and
Tom Waits' bands (see www.michaelzapruder.com/rof.htm).
Minimal
and tricky, Dragon Chinese Cocktail Horoscope presents a world of
large spaces and tiny details. It dwells in contrast and juxtaposition.
Whatever intuition made Zapruder set the two-week limit on this record, it
was a good one, because the recording lacks oversight and planning and
thereby exposes common threads in songs that might have initially seemed
too dissimilar to belong together. What results is a larger world that
feels strangely effortless and surprisingly unified. And thanks to Scott
Solter, on Dragon Chinese Cocktail Horoscope for the first time, the
quality of the recorded document equals the quality of Zapruder's songs.
This is the best record that Zapruder has yet made.
Not long
after Dragon was completed, Long Beach-based Sidecho Records was one
of a few labels to receive an advance copy in the mail. Owner James Cho and
Zapruder struck up a correspondence, and through a kind of mutual
getting-to-know-each-other process, came to feel that Sidecho would be a
great platform for this piece of music.
Ultimately, a record
either means something to you or it doesn't, and so now we come to the
all-important bit. However it is that music feels soulful or meaningful
without overdoing it, and without over-dramatizing things that ultimately
turn out to be mundane; however it is that a record makes you want to
listen to it over and over; that power comes from the feeling that there is
something embedded in the record. It comes from the sense that the people
making the record are striving for something special and are getting it
right somehow.
Previous press:
"...one of the inheritors of Leonard
Cohen's crown of thorns, Zapruder explores themes of isolation and eros
without the customary whine."
Los Angeles Times
"... beautiful
folk-pop ballads resonant of the voice of Rufus Wainwright and wordplay of
Andrew Bird"
Pitchfork
"It's probably not too
much of an overstatement to hang the "genius" tag on multi-instrumentalist
Michael Zapruder."
Amplifier
"...vast and
varied…akin to hearing Rufus Wainwright croon over Andrew Bird's
simmering string arrangements."
Magnet
"Every sound and word is
thoughtfully placed, every dynamic shift is carried out with precision,
every sentence (both verbal and musical) is phrased significantly...
Michael Zapruder is working firmly embedded in the auteurial model of
composition and arrangement, and he is a brilliant director."
Said the Gramophone
"...a damned fine
singer-songwriter (and guitarist and pianist) from San Fran, Zapruder's
little song-nuggets evoke Rufus Wainwright and newer Elvis Costello."
Village
Voice
"This record belongs on the shelf between Lennon's
Double Fantasy and Westerberg's 14 Songs. Go get it."
Performing Songwriter
"...gorgeous, uplifting, well-wrought, and magical."
Delusions of
Adequacy
Track Listing
1. Happy New
Year
2. Lucy's Handmade Paper
3.
Ads For Feelings
4. Can't We
Bring You Home
5. Black Wine
6.
Harbor Saints
7. South
Kenosha
8. Bang On A Drum
9.
White Raven Sails
10. Second
Sunday In Ordinary Time
11. Experimental Film
Instrumentation
Jeff Anthony - drums 1, 3
Gene V. Baker -
hammond organ 11
Ralph Carney - alto
saxophone 10
Matt Cunitz - hohner claviola 2, 10; moog sonic six 2;
mellotron 2, 5, 6; orchestron 5, 11
Dina Emerson -
vocals 5
Evan Francis - flute 3, 4, 9; clarinet 4, 9
Sameer Gupta - tabla 8
Steve Hogan - juno 3, wurlitzer 6
Aurora Josephson - vocals 5
Kurt Kotheimer - double bass 1, 4, 9; bass guitar 2, 5, 7, 8
Alan
Lin - violin 4, 9
Gino
Robair - drums 2, 4, 7, 9, 11
Scott Rosenberg - contrabass
clarinet 10
Kevin Seal - crumar 3
Scott Solter - percussion 8
Michael Zapruder - vocals, guitars, pianos, and other sounds